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- <text id=92TT1296>
- <title>
- June 08, 1992: Reviews:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- June 08, 1992 The Balkans
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 89
- CINEMA
- The Menace Is Missing
- </hdr><body>
- <p>By RICHARD SCHICKEL
- </p>
- <p> TITLE: Patriot Games
- DIRECTOR: Phillip Noyce
- WRITERS: Donald Stewart, W. Peter Iliff and Steven Zaillian
- </p>
- <p> THE BOTTOM LINE: A star turn and smart action sequences
- enliven an otherwise abstract film.
- </p>
- <p> Harrison Ford is like one of those sports cars that
- advertise acceleration from 0 to 60 m.p.h. in three or four
- seconds. He can go from slightly broody inaction to ferocious
- reaction in approximately the same time span. And he handles the
- tight turns and corkscrew twists of a suspense story without
- losing his balance or leaving skid marks on the film. But maybe
- the best and most interesting thing about him is that he doesn't
- look particularly sleek, quick or powerful; until something or
- somebody causes him to gun his engine, he projects the seemly
- aura of the family sedan.
- </p>
- <p> He's the best, although perhaps not the only, reason to
- see Patriot Games, which is a sort of sequel to the successful
- adaptation of another Tom Clancy thriller, The Hunt for Red
- October. Ford replaced Alec Baldwin, who played sometime cia
- intelligence analyst Jack Ryan in the earlier movie, when
- Baldwin turned uppity. Some other characters are also carried
- over from the previous venture.
- </p>
- <p> In Red October, based on a book written in late cold war
- days, Ryan was obliged to prevent nothing less than the
- accidental outbreak of nuclear holocaust. In Patriot Games his
- problem is less portentous, more personal: he faces a small
- rogue faction of the Irish Republican Army -- a bad lot, to be
- sure, but not exactly a threat to Civilization As We Know It.
- </p>
- <p> They only menace civilization as Ryan knows it, in
- particular his wife (Anne Archer) and his daughter (Thora
- Birch). Peaceably strolling along a London street, Ryan happens
- on a terrorist attack on a cousin of the royal family's. In the
- course of foiling it, he kills one of the attackers, thereby
- bringing on himself and his family the relentless, psychopathic
- enmity of the attacker's brother Sean Miller (Sean Bean, a good,
- constantly smoldering source of side-stream paranoia).
- </p>
- <p> Miller, with a lot of help from his friends, is a
- far-darting hit man. One minute he's in Maryland staging a
- near-miss assault on Ryan's family, the next he's in a Libyan
- terrorist-training camp. Back and forth across the Atlantic he
- wings, building up his frequent-flyer miles but somehow not
- building quite the anxiety you'd think his presence in the world
- ought to generate.
- </p>
- <p> The movie's global reach is a large part of the problem.
- Things would be a lot more exciting if the implacable crazy were
- constantly hanging around the neighborhood, turning every
- shadow, shrub and fast-food joint into a potential menace (see
- Robert De Niro in Cape Fear). And the film's fascination with
- the CIA's high-tech capabilities for worldwide surveillance of
- miscellaneous creeps is not as stirring as its makers seem to
- think. It leads to lots of shots of people intently staring into
- computer screens or exchanging testy dialogue in small rooms.
- </p>
- <p> Overall, there is something abstract and distant about
- Patriot Games. But there are at least four exciting preliminary
- confrontations between the good folks and the bad ones, and a
- stormy-night conclusion in which all of the above are somewhat
- laboriously maneuvered into a large, dark house, a device that
- may be conventional but is nonetheless well managed. Along with
- the expert binding of Ford's performance, these are the juicy
- raisins -- Shall we say the raisons d'etre? -- in an otherwise
- blandish pudding.
- </p>
-
- </body></article>
- </text>
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